About

Bechtler Stiftung

The Bechtler Stiftung is a museum for contemporary art in Uster which houses The 2000 Sculpture by Walter de Maria and the video installation I Couldn't Agree With You More by Pipilotti Rist. Parallel to the two permanent installations, the Bechtler Stiftung shows temporary exhibitions with works by contemporary artists from Switzerland and abroad twice a year and offers guided tours and an art mediation programme.
Directly behind the museum building lies the Zellweger Park, which is freely accessible and where important works of Swiss and contemporary art can be discovered.

Team

Director Bechtler Stiftung
Anaïs von Holleben-Peiser
email
+41 44 521 25 21

Press, Sponsoring & Fundraising
Caroline Ziegler
email
+41 44 521 25 20

Art Mediation
Isabelle Köpfli, Astrid Näff, Petra Winiger

Visitor Service
Christina Enderli, Andrej Harnist, Galina Franzen
email
+41 44 521 25 20

Walter A. Bechtler-Stiftung

The entrepreneur Walter A. Bechtler (1905-1994) established his eponymous foundation in 1955. Throughout his life, he had a profound interest in contemporary art: a collector himself, he was also active in various bodies of the Kunsthaus Zürich. Among other things, he set up the Alberto Giacometti Foundation with his brother Hans Bechtler. It houses the world's largest collection of Alberto Giacometti's works.

Promoting art in public spaces was a special interest of his, including the exhibition of works of international importance. In the name of his foundation, Bechtler donated one of the first works it had acquired - a sculpture by Henry Moore - to the municipality of Zollikon, where he had spent most of his life.

As its president and as a member of its board of trustees respectively, Ruedi Bechtler and Thomas Bechtler continued to develop the foundation after Walter A. Bechtler's death. Various museums now also have some of the larger and more complex of the foundation's works in their collections as long-term loans. Today, the foundation collaborates closely with a range of museums, including the Kunsthaus Zürich, the Kunstmuseum St. Gallen, the Aargauer Kunsthaus and the Musée cantonal des Beaux-Arts in Lausanne. Works from the foundation's collection are also accessible to the public on the Zellweger Park estate in Uster, and around the Hotel Castell - of which Ruedi Bechtler is the owner - in the Engadin valley.

Collection Walter A. Bechtler-Stiftung

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HANS DANUSER, Erosion III, photography on baryth paper, mounted on aluminum, 9 parts, 2000-2005

Location: Kunsthaus Zürich

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SYLVIE FLEURY, Skin Crime No. 601, automobile pressed, sheet steel, upholstery, plastic, acrylic varnish, 1997

Location: Kunstmuseum St. Gallen

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THOMAS HIRSCHHORN, Swiss Army Knife, complete installation; 15 "condensation points". Plastic foil, aluminum foil, red cloth, neon tubes, adhesive tape, wooden poles, wooden partitions, 3 video monitors, 1998

Location: Musée cantonal des Beaux-Arts, Lausanne

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SOL LEWITT, Walldrawing #1116, Lascaux acrylic paint on wall, 2004

Location: Kunstmuseum St. Gallen

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JEAN TINGUELY, Heureka, iron rods, steel wheels, metal tubes, wooden wheels, metal pan, various 220 V motors, all painted rust, 1963/1964

Location: Zürichhorn, Zurich

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JAMES A. TURELL, Skyspace, Piz Uter, Exterior: Quarry stone wall of granite. Interior: Concrete cylinder without binding holes, granite seat, colored neon tubes, 2005

Location: Hotel Castell, Zuoz

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DAN GRAHAM, Sine Wave/Zig Zag, two-way mirror glass and steel, 2007

Location: Kunsthaus Zürich

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REBECCA WARREN, from left to right, BB, La Monte, August, hand-painted bronze on lacquered MDF base, 2012

Location: Kunsthaus Züric

Architecture

Architecture

Zurich-based architecture firm EM2N was commissioned to design and construct an exhibition hall for Walter de Maria's work, The 2000 Sculpture. The brief was to develop a space that would cater to the artist's intentions and to the requirements of his monumental work. A series of cubical skylights project natural light into the hall, which gradually changes over the course of the day and with changing weather conditions. A window in the long side of the building offers the visitor a view of the park's backdrop of trees. From a public passage, the sculpture is visible through the generously glazed front side of the building. The window can be obscured with opaque blinds to restrict the experience to visitors inside the hall. The concrete floor was cast as a single slab and provides a seamless base for the 2,000 diagonally arranged plaster elements. The skylight hall has a large anteroom that houses a library and features a bespoke interior made from maritime pine plywood. It connects with the area in front through a series of large windows. This area also leads to the second exhibition space an elongated "white cube" where the changing exhibitions will be shown.

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